Jose EscandellConductor
















José Escandell is a Spanish conductor whose career spans symphonic and operatic repertoire across Europe, Latin America, and Asia. Trained at the “Joaquín Rodrigo” Superior Conservatory of Music in Valencia, he specialized in orchestral and choral conducting, composition, and instrumental performance, later refining his craft with renowned maestros such as Cervera Collado, Cervera Lloret, Marco Guidarini, and Marco Zuccarini.
Since 1998, he has appeared as a guest conductor with orchestras including The Orquesta de Ploiesti (Romania), Orquesta de Logroño (Spain), Orquesta de Cámara del Empordà (Spain), Philharmonic Orchestra of Pleven (Bulgaria), Studio Primo Orchestra (Bulgaria), Russe Symphony and Opera Orchestra (Bulgaria), Milano Classica Orchestra (Italy), Cervera Lloret Orchestra (Spain), Orquesta Ciudad de Valencia (Spain), EAFIT Orchestra of Medellín (Colombia), European Symphony Orchestra (aroun the the world), Antofagasta Symphony Orchestra (Chile), the orchestra of L.G Artist Management, The orchestra and choir of the National Opera of Moldova, as well as the National Symphony Orchestra of Panama.
His operatic work has brought him to prestigious stages with productions of Turandot, Tosca, Aida, Norma, La Traviata, Otello, Rigoletto, and Carmen among others, collaborating with internationally acclaimed singers and ensembles.
Highlights of recent seasons include tours across Spain with the National Opera of Moldova and L.G Artist Management, conducting in major theaters from Madrid to Alicante, Vigo, and Santander, with audiences of up to 15,000. He has also been invited to lead the Philippsburg Chamber Orchestra Academy in Germany and serves as Honorary Conductor of K-Classicorchestras, a network of 60 orchestras in South Korea. Earlier in his career, he collaborated with the legendary Montserrat Caballé on several projects.
A versatile musician, Escandell combines a wide-ranging repertoire with a strong commitment to education. He has led specialized courses on harmony and operatic repertoire and worked alongside distinguished artists such as Anahí Carfi, concertmaster of La Scala in Milan. His artistry, shaped by deep knowledge and international collaborations, continues to make him a sought-after conductor on the world stage.
These are some of the skills that are necessary to consider yourself a good conductor. Although as Ricaccardo Muti said, «I’m in the middle of the road and I’m sure that I’ll never get to the other part of the river.»
The knowledge received by some of the great masters throughout my career, has led me to conduct European orchestras and also collaborate with international artists.
CONDUCTOR
FOUNDER
Founder and Conductor for fifteen years.
ASSISTANT CONDUCTOR
I collaborated with Maestros Collado & Guidarini in the operas: La Bohème, Un Ballo di Maschera, La Traviata, Die Zauberflöte, Carmen, Cosí fan Tutte, El Buque Fantasma, Falstaff, II Barbiere de Siviglia. In theaters such as Liceo of Barcelona, Sabadell, Karlsruhe . . .
VALENCIA
PROJECTS
Collaborated with soprano Montserrat Caballé in several prominent projects through the years.
RESEARCH WORK
09- 08 Auditorio Parque Castrelos ( Vigo )
11-08 Auditorio ( Sanlucar de Barrameda)
12-08 Teatro Horacio Noguera ( Isla Cristina)
06-03 Teatro Liceo ( Salamanca)
07-03 Teatro Apolo ( Miranda de Ebro)
13-03 Teatro Jose Luis Perales (Cuenca)
14-03 Teatro Circo ( Albacete)
15-03 Muxikebarri Zentroa (Getxo)
21-03 Gran Teatro ( Cáceres)
22-03 Teatro Ciudad de Marbella ( Marbella)
23-03 Teatro López de Ayala ( Badajoz)
27-03 Gran Teatro ( Alicante)
28-03 Teatro Romea ( Murcia)
29-03 Teatro Buero Vallejo ( Guadalajara)
30-03 Palacio de Congresos el Greco ( Toledo)
20-12 Pozoblanoco . European Sinfónica Orquesta
31-10 Auditorio Carmen Estévez ( Villalba)
01-11 Auditorio Mar de Vigo ( Vigo)
07-11 Teatro Principal (Zamora)
08/11 Teatro Zorrilla ( Valladolid)
09/11 Auditorio Adolfo Marsillach ( San Sebastian de los Reyes)
10-11 Gran Teatro ( Xátiva)
14-11 Teatro Quijano ( Ciudad Real)
15-11 Gran Teatro ( Elche)
16-11 Teatro Circo (Albacete)
17-11 Teatro Martín Recierda (Albacete)
20-11 Teatro Romea (Murcia)
21-11 Teatro Principal ( Alicante)
22-11 Teatro Cervantes ( Abarán)
24-11 Riojaforum ( Logroño)
27-11 Teatro Isabel la católica ( Granada)
28-11 Teatro Florida (Algeciras)
29-11 Teatro López de Ayala ( Badajoz)
30-11 Teatro Buero Vallejo ( Guadalajara)
01-12 Auditorio Greco (Toledo)
FEBRERO
16 VIERNES – VALLADOLID – Teatro Zorrilla
17 SABADO – NARON – Auditorio Municipal
18 DOMINGO – LOGROÑO – Riojaforum
22 JUEVES – GRANADA – Teatro Isabel La Católica
23 VIERNES – CUENCA – Auditorio Jose Luis Perales
24 SABADO – GUADALAJARA – Auditorio Buero Vallejo
25 DOMINGO – BADAJOZ – Teatro López de Ayala
MARZO
1 VIERNES – ELCHE – Gran Teatro de Elche
2 SABADO – ZAMORA – Teatro Principal
3 DOMINGO – BURGOS – Forum Evolution
7 JUEVES – ALICANTE – Teatro Principal
9 SABADO – ORENSE – Teatro Principal
10 DOMINGO – VIGO – Auditorio Mar de Vigo
14 JUEVES – MURCIA – Teatro Romea
15 VIERNES – MIRANDA DEL EBRO – Teatro Apolo
16 SABADO – TORRELAVEGA – Teatro Concha Espina
17 DOMINGO – TOLEDO – Palacio de Congresos El Greco
Director invitado para la 4th International Chamber Orchestra Academy en Philippsburg (Alemania) del 28 de Julio al 4 de Agosto.
OCTUBRE
28 SABADO- MIRANDA DE EBRO. Teatro Apolo
29 DOMINGO – ZAMORA. Teatro principal
NOVIEMBRE
3 VIERNES – PUENTE GENIL. Teatro Circo
4 SABADO – BADAJOZ . Teatro Lopez Ayala
5 DOMINGO – VALLADOLID. Teatro Zorrilla
10 VIERNES – XATIVA. Gran Teatro
11 SABADO – ELCHE. Gran Teatro
12 DOMINGO – FUENTEALBILLA. Casa de la cultura
16 JUEVES – ALICANTE. Teatro Principal
17 VIERNES – CIUDAD REAL. Teatro Quijano
18 SABADO – SAN SEBASTIAN DE LOS REYES. Teatro Adolfo Marsillach
19 DOMINGO – TOLEDO. Auditorio El Greco
23 JUEVES – MURCIA. Teatro Romea
24 VIERNES – ALBACETE. Teatro Circo
25 SABADO – HUELVA. Gran Teatro
26 DOMINGO – GUADALAJARA. Teatro Buero Vallejo
FEBRERO
24 VIERNES – VALLADOLID. Teatro Zorrilla
26 DOMINGO – TOLEDO. Auditorio Palacio de Congresos El Greco
MARZO
2 JUEVES – MURCIA. Teatro Romea
3 VIERNES – ZAMORA. Teatro principal
4 SABADO – ORENSE. Teatro Principal
5 DOMINGO – PONTEVEVEDRA. Auditorio Sede Afundación
10 VIERNES – BURGOS. Auditorio Forum evolución
11 SABADO – TORRELAVEGA. Teatro Concha Espina
12 DOMINGO – LOGROÑO. Riojaforum
17 VIERNES – ELCHE. Gran Teatro
18 SABADO – SAN SEBASTIAN DE LOS REYES
22 MIERCOLES – ALICANTE. Teatro principal
24 VIERNES – BADAJOZ. Teatro López Ayala
25 SABADO – GUADALAJARA. Teatro Buero Vallejo
26 DOMINGO – ALMUÑECAR
31 VIERNES – SORIA. Palacio de la audiencia
ABRIL
1 SÁBADO – NARON. Patronato de la cultura
2 DOMINGO – BURELA. Auditorio municipal
MAYO
7 DOMINGO – VIGO. Auditorio Mar de Vigo
AGOSTO
10 JUEVES – ORQUESTA SINFÓNICA EAFIT DE MEDELLIN. COLOMBIA. Gala lírica
OCTUBRE
4 MIERCOLES – CONCIERTO DE LA HISPANIDAD. CHILE. ORQUESTA SINFÓNICA DE ANTOFAGASTA
NOVIEMBRE
4 VIERNES – CIUDAD REAL. Teatro Quijano
5 SABADO – HUELVA. Gran Teatro
6 DOMINGO – PUENTE GENIL. Teatro Circo
12 SABADO – GUADALAJARA. Teatro Buero Vallejo
13 DOMINGO – TOLEDO. Teatro El Greco
18 VIERNES – VALLADOLID. Teatro Zorrilla
19 SABADO – ELCHE. Gran Teatro
20 DOMINGO – FUENTEALBILLA. Casa Municipal la Cultura
24 JUEVES – MURCIA. Teatro Romea
25 VIERNES – ALBACETE. Teatro Circo
26 SABADO – MIRANDA DE EBRO. Teatro Apolo
27 DOMINGO – LOGROÑO. Riojaforum
30 MIERCOLES – ALICANTE. Gran Teatro
ENERO
1 DOMINGO – VALLADOLID. Teatro Zorrila
3 MARTES – OURENSE. Teatro principal
I initiated my studies of Saxophone, Harmony, Counterpoint, Composition, Choir Direction and Orchestra Direction at the Conservatorio Superior de Música Joaquin Rodrigo in Valencia, Spain.
Some of the great teachers and interpreters with whom I have had the pride of sharing our passion.






International Orquestra Auditions Awards
Entrevista Orquesta Sinfónica EAFIT
Orquesta Sinfónica EAFIT
Llutxent´s Festival – Orchestra City of Valencia
Orchestra Cambra of L´empordá.
Orchestra Cambra of L´empordá.
Orchestra Cambra of L´empordá.
Philarmonica de Pleven – Bulgaria.










Read Audioclasica´s interview, made on 07/2019 here.







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